Between my vacation for the last 10 days, and the fact that we didn’t really get our shit together until the last week of December, I’m still playing catch up a bit. If you know me, or if you’ve been reading WJM for a bit, I’m sure this doesn’t surprise you.
Below is Tripp’s Top 10 Albums of 2009. We have some obvious overlap here, but there’s also some really great stuff here that I didn’t list…and he wrote a lot more than I did haha.
Note: I didn’t link to songs directly this time, but a quick search for any of these artists on hypem.com will lead you to what you’re looking for.
Enjoy:
10) jj – jj n° 2
Light, breezy, and intoxicatingly beautiful, jj have created an album that brings to mind a warm, sunlit spring day where the listener has no cares in the world. Yet throughout the nine short songs of Swedish band jj’s first full-length release, a feeling emerges that there is a weight, a gravity to this album that is not reflected by a quick glance or a brief snippet of vocals and instrumentation. Listening to the album in its entirety, focusing on the lyrics (especially in lead songs “things will never be the same again” and “from africa to malaga”) and the technical proficiency (with the Lil Wayne-inspired “ecstasy” leading the way) gives one the full view of an astonishingly complex, brilliant, and simply beautiful work of art.
9) Drummer – Feel Good Together
The most consistent album on this list also doubles as the album least likely to appear on most end-of-year lists. A collection of drummers from other bands (led by Patrick Carney from The Black Keys), Drummer was formed in early 2009 and put out this collection of rock songs which ironically focuses very little on the drums. Instead, guitar hooks and synth backing lead to a set of songs which powers through from start to finish, at no point holding back or letting up. “Mature Fantasy,” the best song on the album, showcases how the drummers-turned-band can change tempo, volume, and emotion on the fly without losing a beat, something they do on every song with remarkable skill.
8 ) Matt & Kim – Grand
The high energy. The slightly off-kilter drumming. The staccato pacing. While not the best album of the year, Grand stands out as the defining sound of 2009. The album that produced the song that produced the Bacardi ad that introduced the world to Matt & Kim goes down as one of the best albums of the year thanks to its recognizable yet entirely unique sound.
7) Dirty Projectors – Bitte Orca
The hipster band of the year put out the hipster song of the year (“Stillness is the Move”), and as a result I’ve never wanted to be a hipster more. The sound of this album is unlike anything I’ve heard before, and is fairly well indescribable for someone so new to the hipster scene, so I’ll just say that I love it and leave it at that.
6) fun. – Aim and Ignite
A sweeping, epic pop album that features two of the best songs of the year (“Barlights” and “At Least I’m Not As Sad (As I Used to Be)”). The first of four straight albums I saw performed live this year; this concert was the most fun of the four. Something about fun.’s music just makes the listener smile; the band’s music lives up to the band’s name.
5) Phoenix – Wolfgang Amadeus Phoenix
Home to two of the most popular songs of the year (“1901” and “Lisztomania”), Wolfgang Amadeus Phoenix may be the surprise hit album of the year. Perhaps more than any other indie album, this album crossed over into the popular consciousness and got the buzz it deserved among mainstream listeners and critics. Wolfgang Amadeus Phoenix is full of powerful songs that, upon hearing them, won’t be leaving your head anytime soon.
4) Yeah Yeah Yeahs – It’s Blitz
Of all the albums on this list, It’s Blitz contains the most songs that could easily be seen as radio singles. Led by Karen O’s amazing voice (which, if you’ve seen her live, is but a part of her awesome stage presence), the Yeah Yeah Yeahs have crafted an album that, pure and simple, rocks from start to finish. While “Zero” was the lead single and has been named the Song of the Year by multiple sources, there are nine other songs which could be considered the album’s best (Hint: there are only nine other songs on the album).
3) Passion Pit – Manners
The most anticipated album of the year for the list-makers here at WJM, and it certainly did not disappoint. Just as good live as it is on your iPod (based on the two times I saw them this year, at least), Manners places the most tracks of any album in my Top 40 Song list with three (“Little Secrets”, “Moth’s Wings”, and “Sleepyhead,” which was accidentally left off the list submitted to WJ). It could easily have been more.
2) Sunset Rubdown – Dragonslayer
Dragonslayer is an album not likely to be seen on many end-of-year lists, but this album was above all others for me this summer. Over a short 9-track playlist, haunting piano play combines with beautiful drumming and lyrics to make an absolutely astonishing album. There can be no doubt, though, that my love for this album is based mostly on my love of one song: “Dragon’s Lair”, the ten-plus minute long, somewhat-titular track that ends the album. While it’s not the most beautiful song of the year (“Stillness is the Move”) or the most impressive (“My Girls”), “Dragon’s Lair” is the song I most want to introduce to the public consciousness. It reads like a novel in the way it builds to a climax, and is a perfect capper to an album that tells an amazing story. Give the lyrics a listen and be inspired.
1) Animal Collective – Merriweather Post Pavilion
Obviously. On January 5th, less than a week into 2009, Stereogum asked if MPP was the best album of 2009. 51 weeks later, there can be no doubt that the answer is still yes. The most technically proficient, yet beautiful and moving album of the year, MPP redefined music and its possibilities in the future. The construct of “My Girls” is an absolutely amazing feat: a few basic lines, and a few basic hooks, layered on top of each other at different points in the song, shows exactly what music can and should be, from the lyrics to the instrumentation. MPP is clearly the album of the year.
